COMPLETE FABRICATION

Icon

…….

02 casting_lego bricks

DESIGN:

I decided it might be interesting to try to cast lego bricks, especially to see if I can get multiple bricks to stack together properly.

First I modeled a 2×4 lego brick:

Then I split that brick along the bottom of the “roof” of the lego. So, essentially I have one mold for the “roof” of the lego with the positive bumps and one mold for the “walls” of the lego with the interior structure.

I’m a little unsure if the pouring hole will work properly as the poured material might not distribute properly through the ringed/ribbed structure on the interior of the brick. Also, I did include air holes, but again I’m unsure how well they will work since there is no way to connect them to the interior structure.

MAKING THE MOLDS:

TOOLS/MATERIALS:

shopbot

1.5″ foam

gesso

soap

oomoo 25 (1:1 mix ratio, 15 minute pot life, 75 minute cure time)

MILLING THE POSITIVE:

The first mold I had to make was a positive of the lego brick within an enclosed space, considering future pour holes, ventilation holes, and alignment notches. I made this mold out of foam using the shopbot. I used a quarter inch ball nose bit and had the spindle running at 9000 rpm with a pass speed of 10 in/s.

Roughing:

Finishing:

MAKING THE FLEXIBLE NEGATIVE:

The next step would be to make a flexible negative mold of the lego brick into which I could then pour a final positive brick. First, I sanded down the surface a bit to remove residual roughness from the milling process and then I gesso’d the surface of the foam as the foam is porous on the interior and thus must be sealed. I applied two liberal coats of gesso and let it dry over night. I the prepared a mixture of OOMOO 25 (the silicone smooth-on product) and poured it into each half of my foam mold (I applied a bit of soap to the surface before pouring to ensure easy removal). After about two hours, the OOMOO was set, and I peeled it out of the foam mold. I was now ready to make the final lego bricks.

Gesso’d foam:

OOMOO mold:

CASTING:

TOOLS/MATERIALS:

gloves

protective eye-wear

fume hood

soap

smooth-cast 305 (1:1 mix ratio, 7 minute pot life, 30 minute cure time)

Using the smooth-cast 305, I poured three bricks. First, I applied some soap to the interior surfaces to ensure easy removal and then I attached the two halves of the mold using rubber bands. Once I prepared the plastic mixture, I poured it in through the pour hole and let it set for half an hour. The results were mostly successful except for a few air pockets that tended to be created on the “top” wall of the brick. My guess is that the ventilation holes weren’t sufficient or weren’t properly placed. The bricks themselves were also a bit rough in appearance, seemingly mostly due to the initial milling process. If I were to repeat it, I would not have used a ball nose bit (because the beveled edges prevented true lego snapping) and I would have perhaps milled out of wax or higher density foam to achieve a smoother final surface.

Bricks:

4.196 Special Problems in Architectural Design Complete Fabrications Nick Gelpi Mon-Fri, Jan 5-7, 10-11, 13-14, 18, 20-21, 24-25, 27-28, 01-04:00pm, 3-402/7-432studio, 1st mtg Wed 1/5 Pre-register on WebSIS and attend first class. No listeners Prereq: Permission of instructor ; Yr-1 MArch students who have completed 4.123 only Level: H 9 units Standard A - F Grading Can be repeated for credit Lab Fee: 150 A comprehensive introduction to methods of “making” explored through a wide range of brief but focused exercises. Skills = developing complex geometries from flat components; fine-tuning press fit construction, molding and casting, and making repeatable molds for customization. A two-part workshop, the first half will contextualize contemporary tools and techniques within the trajectories of historical case studies of building, combined with hands on familiarization of tools. The second half will implement the tools of our workshop in the context of Design. Working on group design build process for three MIT 150 FAST installations, students will test and influencing designs through the instrumentality of production. These hands-on design build projects are intended to produce reciprocity between skills and design, making more complete the problems of fabrication. Subject limited to year-one MArch students who have completed core-1 studio. Contact: Nick Gelpi, 9-224, 253-9415, ngelpi@mit.edu -

Pages

%d bloggers like this: